1) Dunya Salam (feat. Baaba Maal); 2) My Culture (feat. Robbie Williams & Maxi Jazz); 3) The Way You Dream (feat. Michael Stipe & Asha Bhosle); 4) Ma' Africa (feat. The Mahotella Queens & Ulali); 5) Braided Hair (feat. Speech & Neneh Cherry); 6) Ta Moko (feat. Whirimako Black); 7) Bushes (feat. Baaba Maal); 8) Passion (feat. Michael Franti); 9) Daphne (feat. Eddi Reader, The Mahotella Queens & Revetti Sakalar); 10) All Alone (On Eilean Shona); 11) Racing Away (feat. Grant Lee Phillips & Horace Andy); 12) Ghosts (feat. Eddi Reader)
Western electronica goes on a round-the-world influence trip, and it's actually more than just souvenir sounds galore.
1 Giant Leap
is first and foremost a concept. It's the result of two British
DJs/producers wanting to travel around the world in a quest to bring
people from several continents and various backgrounds together
through the shared language of music. It's an idealistic celebration
of human culture and art all over the world, almost to an embarrassingly naive degree, and on both how despite all our differences we are the same and
yet life can still be something completely different in another part
of our very same shared planet. This sort of wide-eyed sentimental
love for humanity isn't exactly new as a concept, but the thing here
is that Duncan Bridgeman and Jamie Catto actually did the trip around
the world.
Sort of. 1 Giant
Leap only really stops in London, India, New Zealand, parts of
Africa, and a couple of states in the USA so it's hardly the
globetrotting adventure it makes itself out to be. Where the dynamic
duo do land though, they blend their influences and guests wildly.
Nearly every track is a mini-condensation of the duo's journeys, with
musicians from entirely different parts of the world "collaborating"
within the frames of the same songs, their sounds mixing together
into a multicultural feast guided by modern electronic production.
The guest list ranges from global superstars to local expert talent
and if there's one thing that Catto and Bridgeman have done expertly,
it's making sure that everyone fits together – no one hogs the
spotlight or dominates regardless of how famous they are, nor do the
duo themselves ever make it out to feel like they should be the stars
for making it all happen. The concept is what matters and it's the
concept that has brought everyone together. The one time where this
is slightly blurred is "My Culture", the starting point of
the album's journey (after the intro). Its sound is the least global
of the album and both Maxi Jazz and Robbie Williams are (were) such
household names that the song could just as well have come from
either of their own albums. But with both of them genuinely engaged
in the music and the message and the tune itself being such a banger,
it's one of the album's most obvious highlights. It also thematically
feels like the square one, the launching point at the producer duo's
own home before moving into the world at large.
A lot of blood,
sweat, tears and time were clearly spent on creating all this and
making sure that it all works together, and as a result 1 Giant Leap
does feel like a grand musical adventure. There's an epic scale to
things as the twists and turns take you from urban London to hypnotic
Indian dreams, African dancefloors and uncategorisably multicultural
soundscapes. It's impressive, it's quite exciting and the album as a
whole feels like something worth mentioning just because of it.
Hearing Asha Bhosle and Michael Stipe duet within trippy ambient
patterns before launching into a rave in "The Way You Dream"
never stops being as majestic as it was the first listen, and the
infectious, foot-stomping energy of "Ma' Africa" is a
perfect representation of the album's main mission statement. If the
idea behind creating the album is celebrating the world's diversity,
it's exactly what the album establishes itself as in its starting run
of tracks.
It's funny then
that Catto and Bridgeman have decided to be their own buzzkills. All
the extroverted, hook-laden tracks have been chucked right into the
beginning and after the RnB-tinged "Braided Hair", the
album moves onto a path of world-weary, half-ambient moodiness and
only returns from there for brief sections every now and then. The
excitement of trekking all over the world is replaced with late-night
introspection and coping with the exhaustion of the journey, and as a
result both the concept and the excitement start to wobble. What
started out as a celebration across all nations turns into something
completely different in a strikingly abrupt fashion, the bright cheers
and colourful music replaced by downbeat notes and almost melancholy
blues. The swooping beauty of
"Daphne" lifts up the atmosphere a little and "All
Alone" (the one moment where the vocals belong to the people
behind the project rather than the guest stars) is clearly the best
of the moody lot, and the duo acts as a brief little oasis before the
very end, where "Ghosts" awaits with its nigh-funereal
tone. The end of album is so far removed from what came before that
it's odd to think it's still part of the same project and for all the
undoubtable musical qualities the latter half professes, it's a
strange whiplash to go through.
As a musical journey though, it's still well worth the time and
recommendation. The whole "Westerners go around taking
influences from elsewhere" thing has undoubtedly been done
several times but 1 Giant Leap feels genuinely passionate and in
spirit with its ideals. Unlike a lot of its sonical predecessors it
never feels like a "Western album": the spotlight and voice
have been given to every single person who participates and the
resulting collection of songs truly does feel global. It does it so
well in fact that you kind of want to believe and invest in all the
romantic, conceptual notions the album carries. But even beyond that,
it's still a good collection of songs. An occasionally overlong
collection that could have done with a better running order, granted,
but its high points are worth it alone.
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